Now Available from Global Arts Press

Blood Flow, a powerful new memoir by Larry Bograd, opens with two life-altering events, decades apart. Facing triple bypass surgery at age 53, Larry finds himself unable to escape the shadow of his father’s early death. What begins as a son’s search for answers about his physician father’s suicide grows into a deeper exploration of family ties, inherited trauma and the challenge of healing a damaged heart.

Over many years, Larry interviews relatives and family friends, uncovers long-buried secrets, and unearths hospital records revealing Nathan’s repeated battles with depression hospitalizations Larry and his siblings didn’t know about before their father’s death. His investigation leads him across continents, from post-war Trieste, where Nathan served in the Occupation Medical Corps, to the Ukrainian town of his father’s birth.

Spanning generations and geographies, Blood Flow weaves together the complexities of growing up Jewish in suburban Denver, the burden of grief, generational trauma, immigration and the universal struggle to truly understand one’s parent. At its heart, this memoir is a story of reckoning, resilience, and how the past continues to shape—and sometimes even save—our lives.

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About the Author

Larry Bograd

Larry Bograd is an award-winning, widely translated author whose works have been published by Farrar, Straus and Giroux, Harper, and Macmillan. In addition to a UK edition, his work has been translated into Japanese, French, Swedish, Danish and German. His first book, Felix in the Attic, won the Bank Street College Irma Simonton Black “Best Book for Children” Award, and his novel Los Alamos Light was selected as a UNESCO Book for Peace. He has an extensive backlist and several anthologized short stories.

He is the co-producer, co-director, and editor of two documentary features co-created with his wife, Coleen Hubbard. The first, I Can Tell the World, about the history of Spirituals music received the Best Music Award at the Rhode Island International Film Festival.

One of his plays, The Half-Life of Karen Silkwood, commissioned by her union, was produced by several theatres across the U.S. Two of his original screenplays have been optioned.

He lives in Denver, Colorado.

Blood Flow

Blood Flow covers a lot of ground—growing up Jewish in suburban Denver in the 1960s, family secrets, suicide, shock and grief, seeking to understand one’s parent, international travel, uncovering previously unknown medical records, interviews with relatives—never losing sight of its central theme: the need and challenge of understanding a troubled immigrant’s life and the American child he left to mourn. 

Larry’s story behind the memoir

I’ve written various drafts of this memoir over the past five decades. My first attempt was when I was nineteen years old. I had a summer job lifeguarding at the swimming pool of a new townhouse development east of Denver on what had been prairie. Owners were supposed to move in by Memorial Day. Construction problems delayed the arrival of residents until after Labor Day. So, I spent that summer watching a pool no one used except when I swam laps. I started writing my story in a spiral notebook. I entitled it Double Take because the conceit involved a teen lifeguard going crazy and drowning himself six years after his father’s suicide. Subtle? I think not. The effect was juvenile, although it preserved six-year-old memories I would use in subsequent attempts to capture that time.

I wrote new versions at least once each ensuing decade. I tried it as a novel with a first-person narrator. I tried it as a novel with a third-person voice. I dredged it of emotions and tried it as what was then called “new” journalism (and today goes by “creative non-fiction”). I broke apart the chronology (early post-modernism) and then restored it. I returned to the first-person narrator and added the plotline of my bypass surgery. I conceived and abandoned various titles—Steel in the Heart, This Sad Old World (title of a Neil Young song covered by Emily Harris), The Poignancy of Life and Suicide

Reading an earlier twenty-first-century draft, my brother said, “It’s good, but it lacks humor, and you’re funny.” So, I strategically added levity, if mostly to entertain myself, because writing the same tale of trauma became, well, almost boring. For decades, I thought I’d solved numerous structural and narrative problems, which, at its heart, is what creative writing is about: problem-solving, establishing rhetorical patterns, deepening characters, handling chronology, building pages and then cutting back, constantly seeking the secret sauce to please me and appeal to my fantasy agent/publisher/readers. Last decade (or was it the decade before?) I found a New York literary agent who loved my then-manuscript. She felt so confident about its success that she simultaneously submitted it to a dozen publishing houses, anticipating an auction and, instead, forwarded me a dozen rejection letters. 

And yet, I keep working on my most traumatic story. (Don’t most people have their one seminal trauma?) Did I finally solve tone, pacing, structure, vocabulary and other things that make writing fun and challenging? That’s your call, dear reader, as it must be. (I would answer “no.” Novels, even masterpieces, can always use another draft or three or twenty. So many authors and journalists are credited with saying/writing, “A book is never finished; it is abandoned,” that it’s become a tiresome meme.)

Blood-Flow-Cover-FINAL
Creative Works

Here is a list of Larry’s published books, released documentary films–and original screenplays and novels looking for a public home. All rights have reverted to the author and are available. If interested, please use the Contact Form to reach Larry Bograd.  *Click the arrow buttons to scroll through the books.

Reviews from Readers

*Click the arrow buttons to scroll through the reviews.

Well worth a read!

This book is a moving exploration of growing up in the American West, the immigrant experience, generational trauma, a father’s legacy and a son’s lifetime journey to find answers and healing. The contrast between the author’s experience with open heart surgery at the same age his father committed suicide is a compelling framework for a book that is by turns heartbreaking and humorous. Combining his own sharp memories with a documentary’s worth of family interviews, letters, and medical records, Blood Flow is a testament to resilience and survival and will be especially meaningful to those with immigrant parents, people who have experienced or loved someone struggling with mental illness, and anyone grieving a loss. Well worth a read!

Natalie

Goodreads

Highly recommended Memoir!

This new memoir is a great read! Compelling, memorable, insightful and at times very funny. The author seamlessly weaves several narrative about personal trauma and recovery. High recommended.

Markie

Amazon

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